Chick Pea Universe
Night One: Beach

Grains of sand, tiny planets beneath tired feet

Offering a last, shredded splay of warmth

Passed down to them by the outstretched hand

Of the generous and wealthy moon of the day

Nervous eyes, cast in every direction at once

While it is night, there is no consuming dark

It is nearly as busy here as it is during the day

The far-off music is only detected by gut thuds

The salted sea hungrily drags out paper cups

Sea birds and their angry noises are gone,

The only things left on the beach are us kids

Pockets weighed down with the stench of illegality

Far away from here, where grass replaces sand,

A yellow house tilts on a rutted corner street

One window cracked, loyally awaiting a return

And man and wife sleep, eternally unknowing.

Quick Poster

Quick Poster

Not the Best Excuse Ever:

But, it was just a dime!

Mission Impossible:

Keep breathing.

And they sat and blinked and stared while her Devil’s music blared

The youngest of them all God forbid her heart should fall

Help the world to save itself, screw the people, they’re the hell

Draw a picture, try to care while the time of fabric tears

Dignity is slightly mauled like long dead eyes, we’re all so dull

Take it, it’ll give you hell, I would leave it just as well

For the cold nights are like mare’s

Better if your back is bare

 

 

Long lashes house troubled eyes

Awakened by the persistent caw

Of the only spirits who haven’t forgotten flight

The scent of the mountains permeates timid nostrils

Sickeningly sweet dewy air, olfactory delight

The stars peek through the blanket of reluctant darkness

As the moon pleads for just an hour more

Of waking silence, inconsistent blackness, utter lack of light.

A violent red sun rushes above the snowcaps

The tops of mountains lapping at the skies,

Thirsty for the tepid waters of space

Time is difficult to fathom at this hour

It is unclear whether we should be sleeping or savoring

Laughing for the joy of the Light’s rebirth

Or mourning for the inevitable release of the Moon’s cold breath

A flower waves in the soft breeze, alone in a field of wheat

It waves kindly as the Moon dips below the bruised horizon

The purplish flesh of the sky looms over a pine forest

As the day progresses, shadows grow shorter,

Darkness drains further until there is a dwindling supply

Held tight by the thick fingers of sleep-deprived trees

Who embrace each other as the chill of winter arrives

Deep winds sliding gleefully down from the tops of the great mountains

A boulder, moss growing where it is shaded by a small hill

Leans over a patch of wildflowers, swaying gently

Woodpeckers encourage their dance with delicate tapping

Humming birds offer a weary, yet melodious sigh of wings

A moose weaves a path through familiar surroundings

Stepping heavily on clovers and fungi, which the lumbering animal munches

The grinding of its yellowed teeth pleases the dancing flowers

The breeze grows to an incessant wind, and they dance more frantically,

Their joy overpowering in the quiet of the forest

The air sucks itself through the forest, the trees howl

As they awake slowly, their eyes opening and closing against the light

They stretch limbs, joints creaking and protesting, leaves falling,

Cascading down the mountain side in frail clusters

They grow tired of the wind; moan as the darkness seeps out

Escaping through balding branches, shooting out, allowing light in

Exposing the young earthen carpet, warmed by clinging, winding weeds

And now, the clouds begin to cry, emotionally distraught,

Sorry for the sake of sorrow, allowing bits of powdery essence to fall

First settling on the snowcaps, climbing down towards the forest

The tops of trees tremble in the cold, the wind has stopped,

Fled to warmer areas, sweeping the fallen leaves away with it

There is nothing left to hold in the darkness, the trees cry for the night

The forest is shrouded in white, the clouds have migrated to the padded ground

All that is left of the warmth is the moose, which paws at the ground

Before letting his head hang heavily, heaving cold air through huge nostrils

His antlers displacing the snow, his hot breath melting it,

Revealing the dense foliage beneath, allowing the browned vines to inhale

The cold is sharp, cutting through the peace of the forest

The creek has frozen solid; the fish are hibernating

Still beneath the waters which once flowed freely through the forest,

Dancing across the gleaming rocks which were now slicked with ice

Powder falls from the sky, landing on the moose’s coat, urging him on

He lifts tired feet, brushes his toes across the expanse of white

And comes across a sheer drop-off where the forest has drawn its border

Between the world of white and green and brown and yellow,

And the world of the unloving, the active, and the hateful

The industrial, the material, the soulless and the heartless

The blind, deaf, ignorant and the lethargic lack of ambition

That is housed in the monumentally oblivious dome of ignorance

That they have grown to call a city, an affectionate term

For a crazed smoke-house, where smog settles rather than snow,

Where fences have replaced open fields and factories

Factories have replaced olfactory acuteness and overall awareness

Is long demolished, replaced by blindness and hate for the beautiful

Flies are swatted, rats are poisoned, and the daughters of wolves

Are kept in cages, their eyes, all three are being sprayed with a repellent

That will eventually turn the world against itself, the lovely little city

At the bottom of the mountain will move up and up and up

Until the trees are pushed back, towards the drop-off, forced to make a decision

That separates life from death, civilization from humanity,

Beauty from opaque blandness. But the moose, he travels on.

He knows not that in the years to come, he too will have to choose

Between this peaceful life on the tallest hill, created not by man

But sculpted diligently by the rough hands of the ages

And the life behind bars, gawked at even in death by the spawn of those

Who had his world crushed, his trees invaded, his snow melted

By the fumes of his ancestors long past, burnt in metal monsters

Painted to avert the curious gazes from hot, stinking breath

The stench and sight, the lights, the fright, and all the rest

The roar of the street beast frightens the mountain lion; it’s children in the den

Cower against a far wall of dirt, as a tree is executed by machine,

Alas the owl hoots as its nest is removed from the backdrop of the sky

The eggs dropping like dive-bombers, and acorns pouring out of a squirrel nest

The winters’ supply is lost to the dirty; callused hands of the lumberjacks

The eggs tumble among the dry leaves, yolks break and drip like sludge

Down the mountain side, stretching and sliding, until the unborn eyes of the owls

Rest upon the coiling smoke rising from the factory of factories

The mountain lion licks her cubs, dried blood at the side of her kind lips

The cub purrs and nudges his mother, the creature who still kills for equilibrium alone

 

Anti-Rythm

The seas are peppered with reprisal

It’s impossible to stifle

What we see, but so seem blind to

What we loathe, what we should fall to

.

Rogues and scoundrels coddle money

How hard is demonry to see?

Hallucinate, they instigate

Nature falls and sharp tongues praise

.

What is percieved can’t be recieved

Paradise is sworn on bloodstained streets

But is it tangible?

And who is reprehensible?

.

Procreation is an effigy,

a trick of sick holography

The prefix is a mockery

Creation rebuked constantly

.

They stigmitize fertility

Consider consciousness reality

And if so true, how can it be?

Waking minds decieve, it seems to me

Beckon sweet and softly

To the cool September sun

She is tired, weak and lonely,

Far to beaten down to run.

Christopher Walken’s Ass-Watch

Hello, little man. Boy, I sure heard a bunch about you. See, I was a good friend of your Daddy’s. We were in that Hanoi pit of hell over five years together. Hopefully, you’ll never have to experience this yourself, but when two men are in a situation like me and your Daddy were, for as long as we were, you take on certain responsibilities of the other. If it had been me who had not made it, Major Coolidge would be talkin’ right now to my son Jim. But the way it worked out is I’m talkin’ to you, Butch. I got somethin’ for you. [The Captain pulls a gold wrist watch from his pocket] This watch I got here was first purchased by your great-granddaddy.

It was bought during the First World War in a little general store in Knoxville, Tennessee. It was bought by private Doughboy Erine Coolidge the day he set sail for Paris. It was your great-granddaddy’s war watch, made by the first company to ever make wrist watches. You see, up until then, people just carried pocket watches. Your great-granddaddy wore that watch every day he was in the war. Then when he had done his duty, he went home to your great-grandmother, took the watch off his wrist and put it an ol’ coffee can. And in that can it stayed ’til your grandfather Dane Coolidge was called upon by his country to go overseas and fight the Germans once again.

This time they called it World War Two. Your great-granddaddy gave it to your granddad for good luck. Unfortunately, Dane’s luck wasn’t as good as his old man’s. Your granddad was a Marine and he was killed with all the other Marines at the battle of Wake Island. Your granddad was facing death and he knew it. None of the other boys had any illusions about ever leavin’ that island alive. So three days before the Japanese took the island, your 22-year old grandfather asked a gunner on an Air Force transport named Winocki, a man he had never met before in his life, to deliver to his infant son, who he had never seen in the flesh, his gold watch.

Three days later, your grandfather was dead. But Winocki kept his word. After the war was over, he paid a visit to your grandmother, delivering to your infant father, his Dad’s gold watch. This watch. This watch was on your Daddy’s wrist when he was shot down over Hanoi. He was captured and put in a Vietnamese prison camp. Now he knew if the gooks ever saw the watch it’d be confiscated. The way your Daddy looked at it, that watch was your birthright. And he’d be damned if any slopeheads were gonna put their greasy yella hands on his boy’s birthright. So he hid it in the one place he knew he could hid something. His ass. Five long years, he wore this watch up his ass. Then when he died of dysentery, he gave me the watch. I hid this uncomfortable hunk of metal up my ass for two years. Then, after seven years, I was sent home to my family. And now, little man, I give the watch to you.

I lie beneath the covers

Searching through the cupboards of my-

.

Mind you I’ve got enemies

One’s who’ll gladly tear through these thin-

.

Sheets of crumpled paper

They lie beneath the bedframe, written-

.

Words are all I have these days

I’ve lost it all to these forbidding-

.

Walls encompass everything,

Tearing through the silence of the-

.

Screaming, retching, helplessly,

Shouting, crying “Assist me” my-

.

Mind has gone against me,

Chewed my apple to the core and now-

.

This fruitful, chiding entity,

That nags and gags all over me- 

.

Consuming all the essence

That’s left just out of reach-

.

It’s all I need, so give just some to me

Please, love me, help me, assist me.